Over the past 2 weeks this December, I have been inspired to study and explore textures, tones, highlights, and shadows in a way that I had not yet done with enough passion to feel satisfied. So, with that mood in mind, I returned to my film to explore the intersection of sky and sea. I waited days for the right light and cloud cover to materialize. Following a day with heavy rain, I knew the time was near. On a day that burgeoned with dynamic and moody clouds, I used my black and white film to give me the emotion and tonality for which I had been contemplating, if not demanding of myself. And behold, with the sun setting behind magnificent clouds, I witnessed that which I had been dreaming: interesting patterns and textures, strong highlights, and alluring shadows. The mood was resonant. Chilly wind was blowing in from the sea. I smelled the brine in the air. The crashing high tide reverberated against the rocks. As I triggered the shutter, I closed my eyes and saw the red glow behind my eye lids, imagining what the negative would yield. The closing of the shutter echoed in my head. I smiled . . . With prolonged anticipation (and a sleepless night, or two), I was very pleased with the results – and the experience. San Diego, CA, USA December 11, 2013 Mamiya 7II Mamiya N 43mm f/4.5 L Kodak T-Max 100 *** For those Photography Life readers directed here to view this sample photo of clouds that were exposed with a red 25A filter on black and white film, please also view this more recent photo taken of clouds also exposed with a 25A filter but on a different film emulsion that is reknowned for its exquisite tonality: http://ilovetheoutdoors.zenfolio.com/p448647963/h28cab85e#h28cab85e
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